Check out my interview at Books and Banter:
Books and Banter: Ksenia Rychtycka ~ an interview and her novel ~ Cr...:
Friday, May 6, 2016
Monday, May 2, 2016
I'm participating in a virtual blog tour this week. Check it out and enter the giveaway to win a signed copy of Crossing The Border:
Virtual Book Tours : Crossing the Border by Ksenia Rychtycka Virtual Bo...:
Virtual Book Tours : Crossing the Border by Ksenia Rychtycka Virtual Bo...:
Tuesday, March 8, 2016
October 25, 2014
Nina Orlovskaya's awesome poetry was recently published in Ukrainian Metro News. Please check out her poems if you haven’t had the opportunity! Her book is available on Amazon. I was excited to interview Nina about her work.Can you talk about the impact of poetry on your life and when you first started writing.
I started writing poetry early in life, sometime during middle school. Being an introvert, I spent most of my time alone, indulging in thinking, and somehow I discovered music when I connected certain words that were interconnected in specific ways. I discovered metaphor before I learned that I wasn’t original — it was discovered centuries earlier. I didn’t call it metaphor, of course, I called it a cryptic way of saying anything you wanted to and no one or almost no one would understand you. When you’re 10 years old, to use metaphors while talking to your peers is slightly weird but cool. So I’ll say that poetry was a bridge for one introverted kid to travel into the extroverted world. Also, it helped me learn how to organize my thinking process and develop a very strong emotional memory. It’s sad to know that societies overlook the importance of teaching, or I should say, discovering the language of poetry in our children. Poetry is a language within a language -- an essence of language, a shortcut into a human subconsciousness.
You are fluent in several languages. When you sit down to write, how do you select the language of the poem or is this a fluid process?
I mostly write in English, sometimes in Ukrainian, and less often in Russian. Although I read poetry almost every day in all those languages. A poem starts in my mind as a vivid flash, a sudden splash of a past memory, triggered by a scene, a word, smell, taste …. just about anything. My poetry is a reflection of my feelings on some event in the past, kind of a third-level scenario. I don’t choose a language to write one poem or another; the language chooses me. I think in English but in that creative process that occurs right before conscious thought, I ‘feel’ in all three languages.
What is your writing and editing process like?
I write fast and short: a flash, a stream of consciousness. And later I reflect on what experience, what memory, is in that “gibberish” — kind of like decoding my own thoughts. Sometimes I have a complete four- or six-liner in my head when I wake up and that’s a poem that doesn’t need any editing. Almost all my very short poems are of this nature. A usual process of editing starts a few days after the poem is written. I like to revisit the poem every month or every few months, but I never let myself make any changes to the poem after one year.
What poets do you read and who is especially helpful or inspirational?
Just to name a few: Rainer Maria Rilke, Anna Akhmatova, Charles Bukowski, Theodore Roethke, Thomas Transtromer, Pablo Neruda, Robert Pinsky, Taras Shevchenko, and others. Often I read my less famous but still inspirational friends/poets. When I have writer’s block or need to find inner peace, I read Thomas Transtromer. For instance, I never tire of reading his poem “After a Death.”
What inspires you?
I have to say nothing and everything. I am very hungry for life. There are times when I live with no time to write and I don’t even try to break my pace of living. And then there are times when everything slows down – it’s a time of reflection and involution, a time of inspiration and writing. That’s when I am most true to myself.
Sunday, March 6, 2016
July 21, 2013
It’s been much too long since I posted in this space but the spring and early summer swept by as I ventured out to local book clubs and events where Crossing The Border was the topic of discussion. Much like my experience of living in Ukraine, listening as avid readers discussed my fictional characters was wonderful and a bit surreal at the same time. When I’m writing I’m so focused on the world I’m creating that for a while everything else fades into the background. Once the writing is done and the work has been revised a multitude of ways, it’s time to share it with the rest of the world. Getting stories and poems published in literary journals is one of the greatest thrills for any writer but you usually don’t get personal feedback from your readers.
So it was really eye-opening to take in others’ perspectives about Vera, Valeriy, Luba, Lina, Petro and the other characters inhabiting Crossing The Border. At times, there was lively engagement about why certain characters acted in the way they did or why the stories ended on a particular moment. One reader was worried about the elderly woman who braved the streets during the Orange Revolution to buy a cage for the lost parakeet that flew onto her balcony. Others described their favorite moments or the stories they connected with most. Some wondered if the stories were based on true experiences.
As I explained, the inspiration for my stories came from various sources. Some were inspired by images that I couldn’t shake such as The Bell Tower where I kept visualizing an elderly man climbing up an old set of stairs. I had no idea at the time where that image came from or even what country the story would be set in. It was a fun process figuring it out. Orange in Bloom was inspired both by a wayward parakeet that I rescued while living in Ukraine and by a news article I read about elderly women who cooked food for the thousands of protesters camped out in downtown Kyiv during the Orange Revolution. There’s always a part of me embedded in each of the stories but fiction takes over as my characters come to life. That’s the exciting part of writing – not knowing what comes next.
These real-life stories behind the writing of the book were recorded in a brief clip/montage that Megan Ammer filmed and edited during my book presentation at the Ukrainian Institute of Modern Art in Chicago:
Many thanks to the UIMA for this wonderful opportunity and to the four book clubs in Detroit and Chicago who hosted me and/or selected Crossing The Border for their book pick of the month. I am so very humbled and happy by all the support and encouragement I have received from my readers and I am looking forward to meeting more of you at future events.
February 28, 2013
In an earlier blog, I talked about featuring other writers in this space from time to time. Today I’m spotlighting Natalia Erehnah, who recently published her book Swan Mothers: Discovering Our True Selves by Parenting Uniquely Magnificent Children. Her book is fabulous on many levels. Swan Mothers is filled with wonderful insight, compassion and understanding as the author takes us on a journey through parenting special needs children. What enhanced the book even more is that the story is not only told through the author’s perspective but features other mothers, who in their own words, tell their stories so the reader is treated to various perspectives.
I’m the mother of a beautiful daughter who has special needs so this really hits close to home. I have to say that I was inspired and invigorated by the message of hope, acceptance and support throughout. Natalia Erehnah also shows various tips and techniques to handle stressful moments and highlights alternative methods of treatment. There are times when parents simply become overwhelmed by challenges that seem insurmountable. And yet in reading Swan Mothers, I felt comforted and strengthened. The book provides a pathway out of the darkness. I asked Natalia some questions about her book and writing process.
Can you talk a little about how Swan Mothers came to life and also how easy or difficult it was to reveal personal family details, i.e., did your role as a mother ever interfere with your role as a writer?
In the fall of 2009, I moved to Wisconsin with my family. Having recently earned diplomas in Homeotherapeutics and Bioenergetics from the Institute of Natural Health Sciences, I hung a virtual shingle and began learning how to run a business by listening to free teleseminars. During one such teleseminar, the speaker proposed writing a book, and I immediately knew I would do so. Synchronistically, a Facebook friend posted that her writing coach was offering a writeshop for writers who were “at any point in the book writing process.”
At the writeshop, I was the only person who did not have a clear idea of what she would be writing. I knew that it would be related to my parenting experiences, autism, and the natural health sciences, but had not written a single word. I began writing in that writeshop, and went back for more, eventually joining a writers’ group led by Julie Tallard Johnson. Throughout the year-long meetings, Swan Mothers was written, critiqued and edited.
I made motherhood and writing work together by writing while my children were away from home, either at camp in the summer or at school. Now that I am homeschooling again, I find it much more challenging to create space for writing.
Regarding revealing details. I am a private person, so I am surprised to report that it was easy to share my story. I believe that ease came because the events relayed had been resolved before I started writing. The only aspect of concern was that my story was about the journey of parenting, and thus, revealed information about my family. I used pseudonyms for my children’s names and a pen name to afford my family some privacy.
The story of The Ugly Duckling is told throughout the book in snippets at the start of each chapter and obviously ties in with your book title. You also use the tale of the classic hero’s journey and compare it with the Swan Mother’s hero journey. It is a nice juxtaposition that connects with the overall personal stories of raising a child with special needs. What led you to this structure?
During the second writeshop I attended, my writing coach related the process of writing a book to embarking on a Hero’s Journey. The term Hero’s Journey was new to me. As Julie explained the phases of the journey, I realized that this archetypal pattern described my journey through parenting perfectly. The structure for Swan Mothers came together within minutes. While writing, I was looking for a story to use as a model for explaining the Hero’s Journey to readers. As I read The Ugly Duckling in Clarissa Pinkola Estes’ Women Who Run with the Wolves, I was highlighting, underlining, circling, and writing notes in the margins. I had found my story. The title emerged later, during another workshop.
(My writing coach, Julie Tallard Johnson, has published nine books, including Wheel of Initiation: Practices for Releasing Your Inner Light and The Thundering Years: Rituals and Sacred Wisdom for Teens. In November 2013, Zero Point Agreement: How to Be Who You Already Are will be released. She publishes a free weekly e-zine for writers which I highly recommend. You can subscribe at her website: http://julietallardjohnson.com/).
What discoveries did you make, either as a writer or as a mother, during the writing of Swan Mothers?
I was surprised how easy it was to write a lot in a short period of time (I wrote all of the “My Story” sections in two weeks while my children were at camp), and how long it could take to write even a few book-worthy words. I discovered that it was almost impossible for me to write at the times I set aside for writing, and that if I did not write at those times, I did not make progress with the book. Writing could flow easily or seem stalled for days or weeks.
I discovered that meeting with a group and having a good writing coach was vital to my process. Committing to write a certain amount of words per month, knowing my partner would be reading, helped me stay on track.
Due to the support of my group and coach, and to the fact that the book wanted to be written, writing was mostly easy. The road to publishing was more challenging.
I love your opening sequence and will quote a few lines when closing. You have a very engaging style of writing. What writers have inspired you?
I fell in love with books as a child, and the writers who inspire me include my childhood favorites: Madeleine L’Engle, Katherine Patterson, E. L. Konnigsburg, and C. S. Lewis.
I read for pleasure, and will read almost anything with a good story line. My current favorite authors include: Elizabeth Cunningham, Kathleen McGowan, Paulo Coelho, Marc Allen, Judith Prager Simon.
What other books would you recommend for anyone who has a connection with a special needs child and is searching for support and more information?
Drug-Free Approach to Asperger Syndrome and Autism: Homeopathic Care for Exceptional Kids by Judyth Reichenberg-Ullman, Robert Ullman, Ian Luepker and Bernard Rimland
I list many of my favorite resources in the appendix of Swan Mothers. I also suggest seeking out bloggers and authors with the same or similar diagnoses as that of your child for an invaluable perspective on what it is like to live with a diagnosed condition.
You have a website at www.swanmothers.com and a Facebook page titled Blessed by (Autism) Uniquely Magnificent Children, as well as a Facebook Swan Mothers Group (request to join). What’s next in store in terms of your writing and your efforts in helping parents of special needs kids?
I am developing workshops and retreats based on Swan Mothers. I dream of a camp-type setting for retreats, where mothers can explore their parenting journey.
I am also working on two fiction books which weave together the stories of a modern-day woman, Anastasia Sophia, who is discovering herself through journaling (in the first book) and blogging (in the second book), and Talitha, who lived so long ago that archeologists have not yet discovered evidence of her people.
Thank you for inviting me to blog with you!
You’re very welcome Natalia! Thanks for sharing your thoughts and insight. I’ll close with a few opening lines from Swan Mothers:
For years I was visited by this recurring dream. I am driving south on a bridge in the Florida Keys. My children are in the minivan with me. The sky’s blueness is intensified by the whiteness of scattered, puffy clouds. Brilliant sparkles dance on the surface of the turquoise and seafoam waters. I am content, immersed in the peace, might, and splendor of the ocean around me.
Suddenly, my car is driving on air, as if on an invisible road running parallel to the bridge. I look around, terrified, and the pounding of my heart jolts me awake.
Why is my heart pounding? Why did I panic? Nothing was amiss. The car was not plummeting toward the water. The sea and sky were as blue and beautiful as the moment before. My surroundings seemed the same. Yet the bridge had disappeared from under me.
Saturday, March 5, 2016
My website was hacked some time ago and I'm finally getting back to recreating my blog. I'll be reposting some of my earlier blogs here in my new space on Blogger.
It’s been an amazing couple of years for me on the literary front, and after some of life’s unexpected delays, I am very excited and happy to announce that my short story collection Crossing The Border has been released by Little Creek Books (an imprint of Jan-Carol Publishing, who also publish an awesome monthly magazine called Voice for Women: http://www.voicemagazineforwomen.com/).
This collection has been years in the making with the first seeds planted back when I was working on my master’s in Creative Writing at Columbia College Chicago’s Fiction Writing Department. I tucked away some of my writings in the drawer, not certain if I would revisit them in the future. Sometime after leaving Chicago, I found an editorial job in Kyiv and moved there, wanting to experience the excitement and reality of an independent Ukraine.
I first set foot in Ukraine in the summer of 1990 when it was still part of the Soviet Union. It was a fast-paced, exhilarating and emotional three-week trip but I knew I wanted to go back. I knew I wanted to live in Kyiv as the tour bus zipped us past hilly slopes and golden-domed churches. I knew I wanted to live there when the bus dropped us off impromptu at a rally at what was then called October Revolution Square (later renamed Independence Square). Hundreds of people were rallying for an independent Ukraine. The stores were bare but the people I met on the streets were welcoming and curious about Westerners and went out of their way to show us the sights, some even inviting me and my traveling companions into their homes. I loved the sense of 11th-century history embedded in the architecture and streets of Kyiv as I have long been fascinated by ancient and early medieval times.
Six years later I was living in Kyiv and my writing mainly focused on jotting down notes and ideas in my journal and writing some travel and short nonfiction pieces. When I moved back to the United States nearly four years later, I started writing new pieces and revisiting a few of the old stories I had tucked away. Crossing The Border was finally on its way and I am thrilled and a little nervous about sharing it with the world.
I look forward to your comments and reviews, and most of all, the opportunity to share and exchange thoughts and ideas…..